Tuesday, February 20, 2018
7:30pm - 10:00pm
Canessa Gallery
708 Montgomery St. SF
$5-20


February's Canessa Gallery concert will feature a duo of Easton, PA saxophonist Jack Wright and Chattanooga, TN bassist Evan Lipson, Bay Area violinist Thea Farhadian with Heike Liss (skratchklang) and electronic works by Silvia Matheus.

skratchklang is a new collaboration between visual artist Heike Liss and musician/composer Thea Farhadian who join forces for audio-visual life improvisations. Thea brings twisted echoes, jagged rhythms, and microtonal landscapes that she skillfully performs with electronic violin. Heike pairs projected video footage and life drawings synchronistically to Farhadian’s sound and music. The resulting work together is haunting, abstract, and satiating. It is cultural evidence of an uncertain time.







Thea Farhadian is a performer/composer based in San Francisco Bay Area and Berlin. Her projects include solo violin and interactive electronics, acoustic improvisation, solo laptop, radio art, and video. Her solo pieces for violin and electronics combine a classical music background with extended technique and digital processing using the program Max/MSP. Her work has been seen internationally at venues which include the Issue Project Room, and Alternative Museum New York City, Galerie Mario Mazolli, Sowieso, and Quiet Cue in Berlin, the Room Series, and Meridian Gallery in San Francisco, the Center for Experimental Art and the Aram Kachaturyan Museum in Yerevan, Armenia, International Women's Electroacoustic Listening Room Project at Bimhaus in Amsterdam.
http://www.theafarhadian.com/


Phaeton
The Glitter on the Snow


We had neither the need to get rid of any depression, nor that to increase our already infinite intoxication; ourselves and our love and the boundless beauty of the ever changing landscape, a permanent perfection travelling for its pleasure through inexhaustible possibilities!

Yet almost before the words were out of our mouths, a sly smile crept over Lou’s loveliness and kindled the same subtly secret delight in my heart.
She offered me a pinch of heroin with the air of communicating some exquisitely esoteric sacrament and I accepted it and measured her a similar dose on my own hand as if some dim delirious desire devoured us.

We took it not because we needed it; but because the act of consummation was, so to speak, an act of religion.

It was the very fact that it was not an act of necessity which made it an act of piety.

In the same way, I cannot say that the dose did us any particular good. It was at once a routine and a ritual.

It was a commemoration like the Protestant communion, and at the same time a consecration like the Catholic. It reminded us that we were heirs to the royal rapture in which we were afloat. But also it refreshed that rapture.


Short Commons

The Bubble Bursts


Lou and I, my love and I, my wife and I, we were not merely going there; we had always been there and should always be. For the name of the island, the name of the house, the name of Shelley, and the name of Lou and me, they were all one name—Love.

“The winged words with which my song would pierce
Into the heights of love’s rare universe
Are chains of lead about its flight of fire,
I pant, I sink, I tremble, I expire.”

I noticed, in fact, that our physical selves seemed to be acting as projections of our thought. We were both breathing rapidly and deeply. Our faces were flushed, suffused with the sunlight splendour of our bloods that beat time to the waltz of our love.
Waltz? No, it was something wilder than a waltz. The Mazurka, perhaps. No, there was something still more savage in our souls.

I thought of the furious fandango of the gypsies of Granada, of the fanatical frenzy of the religious Moorish rioters chopping at themselves with little sacred axe till the blood streams down their bodies, crazily crimson in the stabbing sunlight, and making little scabs of mire upon the torrid trampled sand.

I thought of the mcenads and Bacchus; I saw them through the vivid eyes of Euripides and Swinburne. And still unsatisfied, I craved for stranger symbols yet. I became a Witch-Doctor presiding over a cannibal feast, driving the yellow mob of murderers into a fiercer Comus-rout, as the maddening beat of the tom-tom and the sinister scream of the bull-roarer destroy every human quality in the worshippers and make them elemental energies; Valkyrie-vampires surging and shrieking on the summit of the storm.



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